We can act quickly. We get stuff done.

And after decades of experience, We’ve Only Just Begun.

We’re passionate about our artists and composers, about their music and about delivering it to our international network of content creators.


Adam has spent the last few decades nurturing artists, capturing performances and creating great music.

He started his illustrious music career in 1978 at the legendary Trident Studios in Soho, London (home to The Beatles, Bowie, Queen, Elton John, Peter Gabriel, Lou Reed, T Rex and many more). Although his glorious first position was as a chef and construction worker, he quickly moved up to engineer, mixer and record producer, learning from legendary engineers and producers. Adam worked on albums with many artists, including Rush, KISS, Tina Turner, The Buggles, Rod Stewart, Nico, Mick Ronson and many Punk bands, including Jimmy Pursey/Sham 69, The Cockney Rejects, The Angelic Upstarts, Bow Wow Wow, Chiefs of Relief and later, The Sex Pistols… and many Disco artists.

After a short stint in New York in the early ‘80’s, Adam returned to London to re-establish Trident Studios in the mid 80’s. During these years, he had success with The Cure, Roxette, Richard Marx, The Blow Monkeys, Maxi Priest, Visage, Galliano, WetWetWet, Bill Bruford’s Earthworks, Richard Jobson/The Armoury Show and Baaba Maal. After a decade of travelling between London and Los Angeles, Adam settled in LA in 1996. He later set up home at The Boat Studios in Silverlake, where he worked on many music and film projects including Beck/Jack White, Nikka Costa/Lenny Kravitz/Prince, Wolfmother, AJ Croce and Lucybell (Chile) and U2. Other studio clients included Ben Harper, The Yeah Yeah Yeahs, Avril Lavigne, Warpaint, Tenacious D and Cat Power. Adam has recorded and/or mixed several albums and movie scores with John Cale (Velvet Underground). Other film scores and tv projects include work with  Nathan Barr (“The Son”, “The Big Wedding”, “The Americans”, “True Blood”), Spike Jonze/Nick Zinner (“I’m Here”), Matthias Weber (“The Dark Valley”), and many projects with Lisbeth Scott.

Adam was the Associate Producer, Music Supervisor and Consultant, Sound and Music Mixer for “The Terry Kath Experience”, a music documentary about the guitar legend. Adam is part of the Music Faculty at The Herb Alpert School of Music, UCLA in the Music Industry Undergraduate Program, and an Instructor in the UCLA Extension Independent Music Production Program. He also teaches a Masterclass at Berklee School of Music in Valencia, Spain.

And now, he brings years of experience to continue to develop and nurture composers, artists and songwriters and help create fantastic music in all genres, especially indie alt-rock and acoustic, electronic and dance, pop rock and rnb pop.

Adam is known for his skills in song arrangement and instrumentation, and his ability to nurture, direct and achieve exceptional performances from the artists with whom he works. Adam incorporates his vast range of experience from tracking with classic Trident, Neve and API consoles to utilizing the latest ProTools HD and Ableton Live technology and various recording/mixing systems. With such a vast wealth of experience to draw from, Adam is able to adapt and apply the appropriate knowledge, techniques and colours to very diverse records, styles and artists… and pursue his concept of 3D dimensional sound in music production, arrangement and mixing.

“Concept, visualisation and arrangement is everything”

“The arrangement of the musical notes into parts…and then the arrangement of those parts within the “Sonic Field”…. the space between, above, below, behind and in front of the speakers. It’s like painting on an empty 3D canvas. Everything is possible. So you much choose the colours and use of dimension carefully.

Be clear about what you want to achieve from the very beginning.

When starting to work with an artist, with a song or on a movie, I must have a very clear concept of the dimension of the sound… the depth, width and spacial 3D aspect of how I see the song, the mix, and how I want to present the performance and capture the character in the sound.

With an artist, though the process of pre-production and rehearsal, I am able to explore and find the very best options to achieve the emotional purpose of the song and performance. Of course, I must understand exactly what the artist envisages, help them achieve that vision… or guide them to it.

With a feature movie or documentary, I must become completely familiar with the purpose, dimension and emotional goals of the film… and then look to expand upon and respond to those feelings and colours with sound.” 

Courtesy of Barefoot Sound/ Headroom for Days

IMDB: http://www.imdb.com/name/nm4892510/

Website: http://www.adammoseley.net/


Allison Wright Clark is a music supervisor, score and soundtrack producer, music licensing and publishing specialist.

Notable credits include “The Comeback Trail” , “The Good Wife”, “Pirates of the Caribbean”, “Call of Duty: Modern Warfare, “The Middleman”, “Ultraviolet”, “Watching The Detectives”, “Teenage Mutant Ninja Turtles”, “Frogger”, “Metal Gear”, “Castlevania”, “The Andromeda Strain”, “Def Jam: Icon”, “Malibu Road” and many others.

Other award-winning clients and projects that Allison has collaborated with are Jonas Group, Hans Zimmer’s Remote Control Productions, Ridley Scott and Associates, Dreamworks, Paramount Studios, Warner Brothers, Sony Pictures, Universal Studios, Konami, Nike, Coca-Cola, General Motors, Mercedes, BMW, UGGS, Miller, Land Rover, VW, United Airlines, Coors, Tag Heuer as well as many others.

Allison’s been a featured panelist, speaker, and moderator for the Billboard Latin Music Conference, ASCAP’s “I Create Music” Expo, CMJ Music Marathon, SXSW, The Hollywood Reporter/Billboard Film & TV Music Conference, Bradley University, Musician’s Institute, Boston University, Biola University, CRAS, CA State Northridge and Pomona, and Colombia College. Allison also taught the Music Supervision for Film and TV class at UCLA Extension in Westwood, CA.

She and her husband reside in Los Angeles with their Belgian Shepherd, Gretel.


Hailing from the Great White North (St. Paul, MN), Emily decided to take her B.A. in Music Business from Bradley University, encyclopedic Broadway knowledge, general music nerdiness, and everything she owned out to Los Angeles in 2018.

She had dreams of becoming a Music Supervisor, and was aided in her quest by her mentor and friend Allison Wright Clark. Situating herself quickly in the middle of the chaos that is the music industry, Emily spent her first year in LA learning as much as she possibly could about synch licensing and supervision. She was able to take her skills for connecting people and ideas, making rad playlists, and eagerness to help others and turn it into a fully-fledged career in synch licensing.

Emily has spent her career thus far pitching and mentoring incredible artists, building amazing catalogs, and helping her friends and colleagues with projects that make the world a more fun place to live in. When she’s off duty, Emily loves to watch as many TV shows and movies as she can handle, consume copious amounts of coffee, listen to beautiful music, and pet as many dogs as possible.


After getting a degree in classical piano performance, Daniel decided to pursue a career in the music industry. He had been writing, playing, and recording music friends for several years when he noticed his deep interest for music production.

In 2019,  he moved to Gilbert, Arizona to attend the Conservatory of Recording Arts and Sciences. There, he realized how exciting and alive the music industry really is. He then moved to Los Angeles, California to get an internship at Accidental Entertainment, which would eventually lead to a job.

On his spare time, you can find him producing his own projects or playing at a local church. Daniel is absolutely thrilled to be a part of the Accidental Entertainment team and and to be learning about the industry everyday.


Growing up with musician parents and grandparents, Melissa has had the dream of working in the music industry for as long as she can remember.

She moved to Los Angeles for her education from Bodrum, Turkey at 18 and is now in her second year of college studying Sociology. Being a big advocate for human rights, she volunteers at her local Housing and Homelessness Committee, helping to fight for unhoused people’s rights. In her free time, she likes to take pictures of her dog, watch movies and listen to good music.

We’re happy to have her!


Luna is a Los Angeles native and a Violin Performance Major and Music Industry Minor at the UCLA Herb Alpert School of Music. Ever since she was young, she has had a strong interest in the Japanese and American Music Industry and hopes to work in either Music Supervision, Concert & Event Planning/Live Performance, or in Studio as a musician.

She also has a passion for photography, and in her free time, likes to take photos for small weddings, websites, recitals, graduation and friends/family. She plans to learn as much about the sync/licensing industry at Accidental Entertainment, and hopes that she will be able to support the team in any way possible!


Rafael Gomez was born and raised in Los Angeles, CA and has grown around a diverse amount of music; ranging from Spanish music to Classical music and even, EDM.

At a very young age, he discovered his admiration and passion for music. As he grew older, he ventured-off to learn the core values of Business and its importance. Later merging his knowledge for both music and business, he became determined to find a way to become a part of the Music Industry.

He has recently graduated from California State University, Northridge, where he has earned his B.A. in Music Industry Studies, with an aspiration of becoming a Music Supervisor. In his spare time, he likes to hike, listen to an array of genres of music and also likes to catch up on his favorite TV shows/films


Divina is originally from the Land of Lincoln (Springfield, IL), and even though she did not have a musically inclined family, her parents had a great love for all kinds of music. This exposed her to many genres that would later influence her own music like Blues, Rock, and Gospel Music.

Divina began her own venture with music at the age of 10 when she wrote her first songs and started recording her music. She decided she needed a band and that dragged her siblings into learning to play music as well. From there, her love for music and its creation continued to grow and she continued to develop her craft and went on to record 3 albums.

Wanting to learn more about the music industry and get closer to her dream of working in the music world, she moved to Los Angeles in 2016. Upon arrival she started studying at California State University, Northridge majoring in Music Industry Studies. As for her plans for the future, she would like to continue songwriting for herself and other artists and obtain a job as an Artist Manager, but she also is very open to exploring other roles in the industry, like music supervision. In her spare time, she likes to knit, read, write songs, and play sudoku!

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